The story of the French galette and the crêpe begins with religious and secular customs, the seasonal calendar and candles.

Galette at the creperie le Petit Josselin with cider in a pottery bowl

Galette at a crêperie along rue du Montparnasse

Legends say that that these round pancakes represent the sun and that spring begins in February; and that to ward off moldy seeds to be sown in the spring, a galette is made with last year’s buckwheat. Legend also says that around 492, Pope Gélase I, is known to have offered crêpes as nourishment to pilgrims who walked to Rome for a religious event forty days after Christmas.

And I thought a crêpe was just a pancake modified from a Swedish recipe!

Crêpes and galettes in France are serious business. They even have their own season. It lasts from February 2, La Chandeleur (Candlemas), to Mardi Gras/Fat Tuesday (a flexible date). Customs, traditions and commerce are involved in this annual event.

Why February 2?

Without going into detailed calendar history, the beginning of February symbolized the end of winter and the return to the fields. In the Roman and Gaelic calendars, spring began on February 6. The Celtic calendar established spring as the first day of February, which later changed to February 2.  According to the Celts the birth of the first lamb, usually the beginning of February, meant fresh milk. In our modern calendar spring is related to the solstice, about eight weeks later. In some ways the dates of old calendars are still in use.

European secular traditions for the February 2 date involve animals, the planting season, and the weather. European tradition used a bear and its shadow to predict spring’s arrival. As tradition crossed the Atlantic, the bear evolved into the ground hog in the United States and Canada. A sunny day means winter is six months longer; a cloudy day, spring is around the corner. If the groundhog sees its shadow, it goes back to hibernate. With darkness turning to light, candles played a large role in this February month. Thus the origin of the festival’s name for candles – La Chandeleur or Candlemas.

In the secular sense, processions with lit candles were meant to keep away the bad spirits, bad weather, and death; the candles lighted the way for good omens for the spring planting and summer harvest.

In the religious context, parishioners and pilgrims walked in procession with blessed, lit candles celebrating the presentation of the infant Jesus in the Temple during Mary’s purification. According to Mosaic tradition, this purification occurred forty days after giving birth to a child (in other words, February 2). Candles are not even mentioned now, but food continues to be the source of the ritual.

Interior of Crêperie le Petit Josselin

Breton pottery dots the chimney in the crêperie; a large chunk of Breton butter sits on top of the shelf in front of the chef

The difference between a galette and a crêpe

Everyone knows a crêpe, but it has a relative, the galette, which is based on buckwheat (sarrasin/blé noir). Traditionally, you begin your meal with a galette filled with meat, poultry or cheese combinations, drink Brittany cider (brut) from a small pottery bowl and finish with a crêpe filled with something sweet for dessert. The galette and the crêpe are made with different ingredients; the galette is based on a flower or a weed and the crêpe is based on wheat.

Over the past 9,000 years the ingredients of the galette were made from all sorts of cereals and served as a basic staple. The galette is made from buckwheat and is gluten free. Its original recipe was water, salt and buckwheat. It hasn’t changed much; they added an egg.

Buckwheat is believed to have its origins in Asia. In one version of the story, the Crusaders brought the triangle shape seeds of the buckwheat flower to France during the 1100s.  Another version of the story has the buckwheat being imported from Holland to Brittany (Bretagne). Brittany possesses the climate and soil most favorable for growing this flower.

The galette has a basic shape — round. Some people use it as a dessert either because they have an allergy or because it can be made into a delicate, sweet galette by altering the ingredients.

The crêpe, however, with sugar and flavorings added comes in various shapes. In Carcassone, Florence’s family eats oreillettes, Monsieur Voiriot, originally from Lyon, produces bugnes at his Paris boulangerie for the crêpe season. Both recipes add the liquid fleur d’orange. In Champagne, crêpes are known as tantimolles, vautes in the Ardennes region, roussettes in Anjou (Maine-et-Loire) and crupets in Gasgogne.

Buckwheat versus Flour

Wealth separated the class structures in France and separated their baking ingredients as well. Buckwheat was seen as lesser than wheat. French landowners used wheat for their breads and used the buckwheat as a thickener in their soups. The farmers and lower classes used the buckwheat for everything. During the various French revolutions of the 1800s, a democratization process took place and wheat was no longer reserved just for the wealthy. It became available for all (when there wasn’t a famine) and by consequence buckwheat lost its influence in cooking.

Customs

A popular custom of the past was flipping the crêpe for a good harvest. Farmers flipped a crêpe to the top of an armoire; the crêpe supposedly attracted the mold so the seeds for sowing would not get moldy and would produce a good harvest.

Another custom for luck and prosperity involves flipping the crêpe while holding a gold piece (Louis d’Or) either in the hand holding the frying pan or in the opposite hand. If you want to be successful at flipping your crepe, a website will tell you how to succeed with the “art form” and the proper recipe. The crêpe must stay within the pan!

For prosperity, Nicolas’ family would put the Louis d’Or in the palm while holding onto the frying pan handle, flip the crêpe, fold the gold piece in the crêpe and place it on top of the armoire. Today, the tradition stays the same except no one leaves it on top of the armoire anymore.

Dominique and her daughter use a one euro piece in place of a gold coin. Dominique flips her crêpe for prosperity and luck. Salomée, her daughter, flips hers about twenty times and makes a different wish each time.

Elodie’s family eats crêpes the evening of February 2, but she forgets why.

France follows this annual ritual in the preparation for making the crêpe. The newspapers run photos of crêpes and suggested recipes. By the end of January the magazine, Figaroscope, rates the best galette restaurants in Paris. However, sometimes the best Paris crêperies are kept a secret with admonitions to not tell anyone else.

On February 2, the day that I was looking for a new frying pan, everyone else was buying a crêpe pan. I already had one; had already made sweet and non-sweet crêpes and did not even know there was a date to start the season.

Judging from the number of crêpe pans sold when I went shopping, the number of crêperies along the rue du Montparnasse and the innumerable crêpe stands in the capital, there may be a season, but in practice, the Paris crêpe season continues ad infinitum.

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Hi Everyone!
Voici some of the latest Paris photos and news about museums, a bookstore, and the winter sales: (Subscribe)

Current Paris exhibition: ISADORA DUNCAN
Judging by the large number of visitors the day I visited the Bourdelle museum, the dancer, Isadora Duncan, is still popular after all of these years. Duncan is the subject of an exhibition at the Antoine Bourdelle museum in Paris until March 14, 2010. The theme of the exhibition is “Une scupture vivante”/A living sculpture.

She fascinated the sculptors and artists, Bourdelle, Rodin, Carrière, Grandjouan, de Segonzac, Clará, etc. all translated her energy and vitality into bronze, on paper and in words.

Perhaps she is still popular and her life and work admired because she stood out as an individual wanting to tell a spiritual truth about her dance form; she was an emancipated woman. The exhibition concerns male artists admiring the female form. She was a contemporary of Anna Pavlova and Mata Hari, among others.

Women criticized her on two levels, the entertainment (the positive) and the editorial (subjective). She was invited to perform at numerous theaters and private salons in Paris. However, one female critic sums up her objective observations with a subjective description in the June 5, 1903 issue of La Vie Illustrée. The critic, Madame J.D. describes Duncan’s appearance, shares her point of view on Duncan’s speeches about antiquity and the meaning of dance. However, she thought that Duncan was simply there to show her legs, round and muscled, her bare arms and her body — harmonious as a Grecian image — and her mauve eyes. (more…)

Judging by the large number of visitors the day I visited the Bourdelle museum, the dancer, Isadora Duncan, is still popular after all of these years. Duncan is the subject of an exhibition at the Antoine Bourdelle museum in Paris until March 14, 2010. The theme of the exhibition is “Une sculpture vivante”/A living sculpture. (more…)

What is going on in Paris? What time does it start? How long does the exhibit last? Where can I listen to a concert? Where can I find a flea market? Is there a flea market or antique show near my hotel?

These types of questions can be easily answered with up-to-date responses as soon as you step off the plane in Paris. For 35 cents stop at a “Relay” in the airport and pick up a copy of l’Officiel des spectacles.

Or, before you leave, visit their website: offi.fr paris.  The website includes exhibitions outside and within Paris. If you would like help with the translations on the website, please contact me at info@colleensparis.com.

If you buy the small format magazine it is chock full of information. Look in the table of contents (Sommaire) in the front and take it from there. (more…)

If you have never heard of the French artist, Fernand Pelez (1848-1913) you are not the first. His work on display until January 17, 2010 at the Petit Palais in Paris, France, is a retrospective of his beginnings as a traditional, academic artist to his bold later works that resemble photography.

These later works, which are the focus of the exhibition, are like photographs created with a paintbrush; these are eyes looking into an imaginary camera. The social themes of Pelez’s later paintings capture the realistic side of city life: the despair, fatigue, poverty, and death as well as those earning a living from the 1880s to the First World War.

Pelez’s early paintings begin with strong, deep colors of sumptuous fabrics or surroundings and legendary drama of religious stories where people look at the victim or up to sky. They transition to the muted colors of the street, the characters against the corner walls, the background ironic advertising, the characters looking at the viewer. The Petit Palais presents other painters with similar themes but whose characters seem less vivid, clear or haunting. (more…)

The following is an example of the latest newsletter that I send to my subscribers. If you would like to be placed on the mailing list, follow the “Subscribe” link. Otherwise, I will be publishing a new copy of the newsletter in this blog when I send them. As I always say: “Enjoy!”

Hi Everyone! Voilà! Some Paris highlights ….
Sightseeing
The Eiffel Tower has been celebrating its 120th birthday all year with exhibitions and the party isn’t over yet! If you are in Paris between now and December 31, you are in for a spectacular Eiffel Tower light show. While I was photographing vignettes of the show, the oohs and aahs made me think that I was watching fireworks.
The show times are 8, 9, 10 and 11 p.m. Talk about bang for your buck (or euro) – the light show is the usual five minutes of sparkles and then 12 minutes of multicolored lights and designs. Visit the Eiffel Tower website for more activities.
The Catacombs are closed until the end of 2009 due to acts of vandalism during the night of Septemer 14 and 15. Vandals attacked the displayed bones and lights causing damage severe enough to cause the closing of the 1.7 km (1 mile) path. Paris has about 300 km (186 miles) of underground galeries, quarries, and these catacombes. A guard discovered the damage but there was no forced entry at the Colonel-Rol-Tanguy entrance. It is believed the vandals entered through one of the old quarry entries. The Catacombes (Denfert-Rochereau) averages about 300,000 visitors a year.
Carnavalet museum – The portion relating the Revolution is closed for renovation. However, from the 25,000 objects normally exhibited, the museum has put together a temporary exhibition of 200 objects.
Between September 30, 2009 and January 3, 2010 you can also view an exhibition on English caricatures drawn during the Revolution.
Transporation
The RATP has a guide available on the web for how to use the Metro and RER. (more…)

For anyone planning their end-of-the-year holiday in Paris, you will want to know the RATP (Régie Autonome des Transports Parisiens) schedules. The following is a translation of RATP’s response to my question about hours of operation:

No decision has been made yet as to the train schedules for New Year’s Eve.
However, based on last year’s schedule (under the condition that it could change) partial service will be put in place.
Lines 1, 2, 4, 6, 9 and 14 will run all night and stop only at the “main stations”.
RERs A and B will run through the night (every 15 minutes within Paris and every 30 minutes in the suburbs – outside zones 1 and 2).
The night buses (Noctiliens) will run as usual through the night; most likely at more frequent intervals.
The transport system will be free from 5 p.m. December 31 until noon on the January 1.
The RATP will post on their home page all of the details around the middle of December.


Beginning the night of October 3 and continuing into the early hours of October 4 is the Paris Nuit Blanche (7 p.m. to 7 a.m.).  In its eighth season, this year you can obtain the program in various ways: Paper at any mayor’s office; the Hotel de Ville mayor’s office, all of the libraries, any RATP station office, etc. For more addresses visit the Nuit Blanche link . For the paper version look for this title Où trouver le programme papier on the “Generalities” page.

Download the program in English.

The “Handicap” page provides information about the symbols on the program (in French) and the phone number of the organization “PAM” to contact for transport.

Transportation the night of Nuit Blanche
The RER, Transilien (regional train), metro and the Noctilien buses (after hours) have normal and special schedules.
RER and Transilien
The RER will run normal hours
Transilien will run normal hours
Metro
All of the lines are open until 2 a.m. (about) as usual.
Metro special schedule
Line 11 – regular schedule all night except République, Belleville and Porte des Lilas will close between 2 a.m. and 5:30 a.m. During the special hours, the frequency of the trains is 7 minutes. Access to the metro is free between 2 a.m. and 5:30 a.m.
Line 14 – All of the stations will remain open all night; service after hours is every 4 minutes. Access to the metro is free between 2 a.m. and 5:30 a.m.

French radio plays a big part in my everyday life. The radio is turned to a variety of stations during the course of the day. For the French, radio listening is such a habit that often choosing a mobile phone revolves around radio accessibility. In the morning while in the kitchen preparing my breakfast, I am tuned in to news and interviews. During the day, I listen to world music on the music and traffic station. In the evening during dinner preparations, we listen to the jazz station. For my husband the bathroom radio is tuned to his favorite business station while getting ready for work. While on the bus to and from work, his phone is tuned to the same programming. It is our source of weather (very important in France) information, news, and traffic. If I get an iPhone, I will have to rely on podcasts! Before I hit that crisis situation, I will continue to carry around an MP3 player and my telephone. (more…)

In the concrete jungle of big cities, you expect tall buildings, a distance from nature, fast-paced living, an inhospitable and a polluted atmosphere. This sounds like a perfect place for a beehive. The two best known beehives in Paris are on the top of the Garnier Opéra and the Grand Palais.

Bee in flight - Jardin des Plantes
Bee in flight – Jardin des Plantes

Perhaps the best French souvenir honey to buy comes from large French cities such as Paris, Lille or Marseille; and not from the country side. The Paris honey is classified as “Miel béton” or
concrete honey. The laboratories have classified this variety as an exotic honey. (more…)

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